Heatherwick Studio: About the Exhibition

31 May - 30 September 2012

This exhibition was the first ever major retrospective on the work of Thomas Heatherwick, one of the most exciting creative practitioners working in the UK today. Heatherwick has been the recipient of the Prince Philip Designers Prize and the London Design Medal, and in 2004 became the youngest practitioner to be appointed a Royal Designer for Industry.

At the heart of his Studio's practice is a profound commitment to elegant, integrated design solutions and the absolute dedication to materials, research, prototyping, industrial collaboration, tactility, texture - and above all, extraordinary form-making.

After completing his MA at the Royal College of Art, Heatherwick established the Studio in 1994, as a space in which to produce extraordinary projects. Rejecting conventional classifications, Heatherwick and his team explore the thresholds between standard design categories. Celebrating the pure joy of creating 3-dimensional forms, the Heatherwick studio has earned an international reputation for creating stunning and ingenious works that span a breathtaking array of disciplines: from architecture, furniture, product design and fashion, to engineering, sculpture, transport and urban planning.

The team's work to date includes a spinning chair, a rolling bridge, an expandable zip bag, a power station, an 'endless' bench, the London 2012 Olympic cauldron and a brand new bus for London.

Thomas Heatherwick and Stuart Wood discuss the work of Heatherwick Studio

View transcript of video

Thomas Heatherwick, founder Heatherwick Studio
For me every one of our projects is a research and development project. Everything that we start is something that we don’t know what the outcome is going to be.

Thomas Heatherwick
We have a workshop, machines and equipment and things to try materials out on. We have people who are skilled in researching processes and techniques, so it’s the most exciting thing to embark on something where you don’t know what the outcome will be. We’re not interested in having a style or something. For us the task is to invent a solution that is right for the particular place. It’s a scary process, there are so many unknowns and it doesn’t mean it’s always alright in the end, you have to be on your toes all the time to try to make the most of the possibilities that a project can offer and that’s what we feel our job is to try to do.

Stuart Wood, Head of Innovation
I think one of the challenges that the studio enjoys to take on is to apply interest into areas that are typically unloved, so there are now fashions to doing very cool bridges, but when we worked on the rolling bridge there weren’t many bridges that opened in a particularly interesting way. The bridge in Paddington is very, very simple. When it’s operating as a bridge it’s very unassuming, because the way in which it opens is the theatrical part. The reason it’s theatrical is because the bridge curls up into a ball and when it’s fully opened its two ends touch they almost kiss together. It’s a really strange thing for a bridge to do and the really nice thing about it is the bridge is completely silent and it’s almost magic.

This object here is a descendant of that small bridge and in a way this is really where we’d like to take the idea next and the way in which it works is it’s almost like 4 rolling bridges put together, but instead of using hydraulics it uses a much more simple system almost of a counter weight or a clock weight. The rolling bridge in Paddington curls into a ball, whereas this one is more like a snail rolling on top of itself and curling up.

Thomas Heatherwick
Getting the chance to design the bus was so special for the studio because London’s Transport Authority hasn’t commissioned a bus design for over 50 years. It felt like there were all these challenges and opportunities, where we want to get wheelchair uses on to buses and we want to get mother’s with buggies and we know that to be reliable with the quantity of traffic on London’s streets, we can’t just have one door onto the bus so that everybody waits in a queue. We need a bus with three doors so that people can quickly load and unload. It comes down to all the details…what are you going to press? What’s the bell push to stop the bus? And what are steps that you’re going to walk up and how’s the window? And where’s your elbow? Do you bash your head on the edge? So our sense was that it was going to be a collection of details and it wasn’t going to be about one big idea, we needed to have a philosophy that was going to permeate through and inform all of these details.

It’s thrilling to have this chance to have this exhibition at the V&A now. The studio will have been going for 18 years at the opening of the exhibition, but we feel that we’ve only really just got started and we’re really getting going and that has to be a long-term ambition. It feels like you have to be a long distance runner and we’re just getting the chance to embark on that. When you actually go out into the world most of the places that you experience are pretty low-quality, everywhere, so there’s so much possibility everywhere to make things better. So I suppose I see the next 18 years of the studio, if I’m lucky enough to be continuing to do this, as just trying to really take forward some of the ideas that we’ve only really just started thinking about and push

Audio discussions

Listen to, or download, short audio discussions of Heatherwick Studio works featured in the exhibition 'Heatherwick Studio: Designing the Extraordinary'.

Olympic Cauldron (4 mins 57 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Danny Boyle (Artistic Director, London 2012 Olympic Games Opening Ceremony), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Aberystwyth Artists’ Studios (5 mins 15 secs)

Participants: Alan Hewson (Director, Aberystwyth Arts Centre), Rory Wilson (Architect and Aberystwyth Artist Studio tenant), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

The Inspiration of Construction (4 mins 49 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Control Systems (4 mins 58 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Ron Packman (Associate, Heatherwick Studio), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

East Beach Cafe (4 mins 49 secs)

Participants: Peter Ayres (Project Architect, Heatherwick Studio), Jane Wood (owner, East Beach Café), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

B of the Bang (5 mins 39 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Sir Howard Bernstein (Chief Executive, Manchester City Council), Antony Gormley (artist), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Research and Development (5 mins 9 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Stuart Wood (Head of Innovation, Heatherwick Studio), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Autumn Intrusion (5 mins 15 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Mary Portas (former Creative Director at Harvey Nichols, Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Spun (5 mins 10 secs)

Participants: Mark Burrows (Head of Making, Heatherwick Studio), Anthony Moore (metal spinner, A.D. Moore Metal Spinning Ltd), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Haunch of Venison Gallery (4 mins 43 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Rachael Barraclough (Head of Design, Haunch of Venison), Abraham Thomas (Exhibition Curator)

Download: mp3 | ogg

Seed Cathedral (5 mins 13 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Sir Mark Jones (former Director of the V&A), Sir Andrew Cahn (former Senior Responsible Officer in the Foreign Office for the Shanghai Expo), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

London Bus (5 mins 20 secs)

Participants: Neil Hubbard (Project Designer, Heatherwick Studio), Peter Hendy (Commissioner, Transport for London), David Barnett (Development Engineering Manager, Wrightbus), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Royal Docks (5 mins 14 secs)

Participants: Fred Manson (Associate, Heatherwick Studio), Clive Dutton (Executive Director of Regeneration, London Borough of Newham), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Christmas Cards (5 mins 10 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Pritpal Mann (Manager, Special Handstamp Centre, Royal Mail), Sir John Sorrell (recipient of Studio Christmas cards), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

Found Objects and Test Pieces (4 mins 42 secs)

Participants: Thomas Heatherwick (Founder, Heatherwick Studio), Abraham Thomas (Exhibition Curator).

Download: mp3 | ogg

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Victoria and Albert Museum

The world's leading museum of art and design

Closed exhibition – Heatherwick Studio: Designing The Extraordinary

Heatherwick Studio: About the Exhibition

31 May - 30 September 2012

Thomas Heatherwick and Stuart Wood discuss the work of Heatherwick Studio

Audio discussions

Olympic Cauldron (4 mins 57 secs)

Aberystwyth Artists’ Studios (5 mins 15 secs)

The Inspiration of Construction (4 mins 49 secs)

Control Systems (4 mins 58 secs)

East Beach Cafe (4 mins 49 secs)

B of the Bang (5 mins 39 secs)

Research and Development (5 mins 9 secs)

Autumn Intrusion (5 mins 15 secs)

Spun (5 mins 10 secs)

Haunch of Venison Gallery (4 mins 43 secs)

Seed Cathedral (5 mins 13 secs)

London Bus (5 mins 20 secs)

Royal Docks (5 mins 14 secs)

Christmas Cards (5 mins 10 secs)

Found Objects and Test Pieces (4 mins 42 secs)

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