297 results for 'oliver &' across All Categories
Show exact matches onlyFrom the Blog
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Blog PostNa’ama Haneman’s winning silver commission – now on displayLent by The Penelope and Oliver Makower 1974 Charitable Trust The P&O Makower Trust was set up in…
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Blog PostFriday Late: Is This For Real?@studioplayfool @tomo_kihara Remants of Selves by Anthromorph, Costas Kanzantzis and Oliver Torr …
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Blog PostNow Open: Doctoral Placement applicationsFor any questions, please contact me, Oliver Cox (Head of Academic Partnerships) at o.cox@vam.ac.uk…
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Blog PostTickets available – The Public Country House: ‘Treasure of Quiet Beauty’ or a Site for Public Histories?Historic houses as sites for research and knowledge exchange innovation, a collaborative project led by Dr Oliver…
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Blog PostBringing the collections to life – introducing the V&A’s Brand Licensing programmeTop row (left to right): Oliver Bonas jewellery range inspired by designs for woven silk by Anna Maria…
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Blog PostCall for papers – ‘The V&A and its Jewish Heritage: Objects & Stories’Senior Curator, Gilbert Collection), Dr Simon Spier (Curator, Ceramics and Glass, 1600 – 1800) and Dr Oliver…
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Blog PostWho was the ‘monster king’?The History of England Adair’s references was written by Oliver Goldsmith (1728?…
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Blog PostV&A P&O Makower Trust Commission awarded to Na’ama Haneman©Na’ama Haneman For over 45 years, the Penelope & Oliver Makower (1974) Trust has commissioned major…
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Blog PostV&A Illustration Awards 2024 – the shortlists!Adult Fiction Tina Berning, Lessons by Ian McEwan (Jonathan Cape, 2022) Olivia Daw, The…
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Blog PostCall for Entries: P&O Makower Trust Silver CommissionLOAN:MAKOWER.1 For over 45 years the Penelope & Oliver Makower (1974) Trust has commissioned major…
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Blog PostIdentity, belonging and resilience: six Latinx artists in London you need to knowright: Paola Estrella, Rebeca Romero, Montañera, Francisca Sosa Lopez, Fernanda Liberti, José García Oliva…
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Blog PostMake Good: Rethinking Material Futures symposium 2024Jorge Penadés introduced his on-going work with olive-tree roots and architecture educators Aude-Line…
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Blog PostBeatrix Bray: Access and ownershipthe different wood species she used, for example, noting the difference in hardness between ash and olive…
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Blog PostV&A East Summer of Making – The Great Get Together and Summer School 2022Family Press is a printing press co-developed by a group of children aged 4-11 in after-school care at Oliver…
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Blog PostThe evolution of NVAP: how we filmed over 400 theatre performancesby the more readily available VHS, meaning that standard players could be purchased to replace the older…
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Blog PostWalpurgis Night, the Witches’ Sabbath and the First of MayIt is suggested that Walpurgis Night is linked with older May Day festivals in northern Europe, which…
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Blog PostCelebration & defiance: Staff share V&A carnival objects and storiesAnastasia Misirli, volunteer in Visitor Experience Plastic sunglasses ‘Jester’, Oliver Goldsmith…
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Blog PostOpen call for Artist Fellows with Bow Arts TrustFurnishing fabric of plate-printed cotton, made by Ollive and Talwin at Bromley Hall on the River Lea…
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Blog PostChippendale and Sheraton: rediscovering rare silent filmsrecently published biography, Thomas Chippendale, A study of his Life, Work and Influence (1924), by Oliver…
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Blog PostWhy things fail and why it matters: some challenges for digital collecting today – Part 1London These concerns for interpretation and long-term care go beyond ambitions to reactivate older…