116 results for 'Inky & Mole' across All Categories
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Blog PostYVA Design Club launch products for the Young V&A shopThese workshops were more than just educational sessions; they were immersive experiences that allowed…
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Blog PostIn conversation with Benjamin Phillips – winner of the 2024 V&A Illustration for Children Award and the Moira Gemmill Illustrator of the YearI take a much more calculated approach when I’m working on a book, particularly if the outcome needs…
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Blog PostIn conversation with Kate RolfeI have loved picture books all my life and read far more of them than I do any other books!…
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Blog PostBorrow, Adapt, Combine: Improvising Chinese landscape scenes in late seventeenth-century LondonBlack chalk, pen and grey ink, grey wash, watercolour, 35.61 × 24.51 cm.…
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Blog PostIllustrating people at their best: Francis MarshallOne such task has been to publish more catalogue information on Search the Archives, our online database…
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Blog PostMake Good: Rethinking Material Futures symposium 2023It discussed communities’ use of resources and acts of care towards nature, but also how developing more…
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Blog PostExplore the Collections – our new Organisation Pagesfor example) Places (Tokyo, London, or Essex, Great Britain, and Great Bardfield) Materials (Ink…
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Blog PostPhotography Centre browsing library – ApertureLesley Martin, Creative Director of Aperture, explains more in this post.…
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Blog PostCelebrating uniqueness through designsomething to help you travel through the jungle in all types of weather’ in Week 4, ‘Jungle’ Read more…
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Blog PostMiles Aldridge in conversationHe advised me on the Super 8 camera that I should use (a Braun Nizo) and I started taking filmmaking more…
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Blog PostRoyal Engineers Christmas bonusThe payments were therefore more akin to a staff bonus.…
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Blog PostIn conversation with Gérard Dubois, Moira Gemmill Illustrator of the Year 2022Could you tell us a bit more about the project? How did you get involved?…
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Blog PostMetalworking Now: Selecting objects for a temporary display. © Victoria and Albert Museum, London Ink inscription on the top of the box lid for ‘…
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Blog PostV&A Illustration Awards: In Conversation with Kate Milner (Student Illustrator of the Year 2016)singled out Kate’s technical approach for special commendation, praising her combination of pencil and ink…
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Blog PostCelebration & defiance: Staff share V&A carnival objects and storiesAnd yet, if we look more closely, Callot’s scene is imbued with the spirit of carnival.…
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Blog Post‘Paw-some’ cat drawings by Louis WainPencil and Pen and ink. E.880-1972. Louis Wain. ‘4. Nobody knows what happened.…
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Blog PostA rhyme to suit your loveValentine’s Day will soon be winging its way once more into our lives.…
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Blog PostBrickfield artists’ reflect on Brickfield NewhamI had picked up on throughout the project, including sketches of the kiln in action with graphite, ink…
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Blog PostV&A East x A Vibe Called TechThe ink used in this piece of work did not create solid blocks of colour or line, it has a dappling effect…
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Blog PostAn unusual pigment – a needle in a coloured haystackRaman spectra from the unexpected pigments on the painting At this point I needed to know more…