142170 results for 'engraving' across All Categories
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Blog PostArtist Open Studio by V&A and Tate Digital Learning at MozFestArt and design play key roles in engaging new audiences around these social issues and in shaping critical…
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Blog PostWilliam Morris and the Printed BookWood engraving. Museum No.…
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Blog PostHenry Cole and the Swiney Cupdesign [was] reduced by half, a fatal step to the realisation of the finest portion of the design, the engraving…
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Blog PostDoing Things Twice: Exploring a V&A Lafreri Volumeacquired in 1873, had been broken up by the museum and its contents divided between the museum’s book and engravings…
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Blog PostAnatomy for artists: John Tinney, Stephen Francis Rigaud and one “R.H. Nash”Engraving. Museum no.: E.669-1911 And now to the owner.…
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Blog PostMoose on the Loose – ‘Trans*hapticality’ (17th March 2017)place in the V&A’s Learning Centre, Seminar Room 5, 7pm-8:30pm ‘Cervus Alce Linn’, hand- coloured engraving…
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Blog PostV&A Secret Seekers – designing a new mobile game for family visitorsThey see mobile as a tool for engaging children, and for giving parents the knowledge they need to answer…
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Blog PostNew VARI international residency opportunity in partnership with Create LondonThe residency will be hosted by Create in their White House site on the Becontree Estate in Dagenham, engaging…
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Blog PostInaugural Annual VARI Symposium by Karen MortonPhotograph by Eileen Budd Following Dr Martha Fleming, an engaging dual presentation was given by Dr…
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Blog PostHenry Cole and the Devil’s violinist‘The Demon Samiel in Der Freischutz’, engraving by Adcock, Great Britain, ca. 1830. Museum no.…
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Blog PostEntangled: Art, Science and Quantum Computing (Part 2)Therefore when engaging with quantum physics artistically, is it important to move beyond a critique…
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Blog PostJohn Dillon – autograph collectorCollection includes Forster’s personal copies of the sale catalogues of Dillon’s autographs, prints and engravings…
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Blog PostReading Proposition, an installation at the National Art LibrarySauvette, photograph by Brassaï (1930); right image, from the table Pictures of Plants: Dandelion, engraving…
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Blog PostThinking and Experiencing ‘Techne’ on the V&A/RCA History of Design MAseries of blog posts and three short documentary films to reflect on their experiences interpreting and engaging…
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Blog PostTiepolo’s Apollo and DaphneThe engraving is important also because it testifies the original base of Bernini’s sculpture, which…
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Blog PostGarnitures: What a difference a vase makes!John Evelyn, historic photographs of the silver garnitures at Knole, Kent (National Trust) and French engravings…
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Blog PostDigital Design Weekend events you shouldn’t miss this year!opportunity to meet the artists, designers and researchers and find out more about processes while engaging…
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Blog PostThe Children’s Room: ‘An interesting experiment’Today we take it for granted that our museums and galleries offer their young visitors diverse and engaging…
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Blog PostEast London in pictures: Arthur Villiers’ gift from the Gardner CollectionAn Actual Survey of the Hamlet of Bethnal Green, coloured engraving by John Harris, 1703.…
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Blog PostV&A wins Museum of the Year 2016We will ‘re-circulate’ our collections, taking them beyond our usual metropolitan partners and engaging…
