Collection Selection Boxes – Women in Photography

Our Collection Selection Boxes are a unique opportunity to handle original prints, drawings and photographs from our collection. These resources contain carefully curated material that introduces a particular period, style, material, or technique, and are available for individual study or group teaching.

Women in Photography

The history of women's contribution to photography is significant, though less well-known than their male counterparts. During the 1800s and whilst photography was rapidly evolving, women adopted the practice alongside other 'acceptable' crafts such as collaging and album making.

This box contains an overview of photographs by women, from the early pioneers of the 19th century, to modernists, surrealists, photojournalists, portraitists, and contemporary practitioners. It also features experimental processes, such as solarisation and early colour techniques.

You can also view and download this resources as a PDF:


Julia Margaret Cameron (1815 – 79)

Annie

The photographer

Julia Margaret Cameron was one of the most important photographers of the 19th century. Her photographs were rule-breaking: purposely out of focus, often including scratches, smudges and other traces of the artist's process. Best known for her powerful portraits, she also posed her sitters – friends, family and servants – as characters from biblical, historical or allegorical stories. Born in Calcutta, Cameron was introduced to photography in 1842 by the British astronomer Sir John Herschel, but didn't take the medium seriously until she was 48; by then married with six children, and living in England. Her relationship to the V&A is significant and she was to correspond with Sir Henry Cole, the V&A's founder, throughout her lifetime. In 1865, the museum purchased and exhibited 80 of her photographs and three years later, offered her two rooms to use as a portrait studio, essentially making her the museum's first artist-in-residence. Today the V&A holds over 900 photographs by Cameron, making it the largest collection of her work in the world.


The photograph

Julia Margaret Cameron made this portrait of Annie Philpot, the daughter of a family staying on the Isle of Wight, within a month of receiving her first camera. It represents one of her earliest photographs, and some examples are inscribed 'My first success'. She later recounted, 'I was in a transport of delight. I ran all over the house to search for gifts for the child. I felt as if she entirely had made the picture.' This is one of approximately 70 photographs that belonged to Cameron's mentor and friend, the artist G.F. Watts. Many works from this group are unique, which suggests that Cameron was not fully satisfied with them. Some may seem 'defective' but all contribute to our understanding of Cameron’s working process and the photographs that did meet her standards.

Annie, photograph by Julia Margaret Cameron, 1864, Isle of White, England, albumen print from wet collodion glass negative. Museum no. 214-1969. © Victoria and Albert Museum, London

Header image:

(Detail:) ‘Self Portrait as Miss Universe Contestant’ (Sitting), cyanotype, by Tarrah Krajnak, from the series ‘1979 Contact Negatives’, 2022. Museum no. PH.142-2023. © Victoria and Albert Museum, London