Balenciaga's hats
Balenciaga's hats
Cristóbal Balenciaga's couture hats were some of the most elaborate in Paris, playing with scale, shape and unusual materials
The V&A's significant hat collection is a revealing and exciting record of the changes in headgear over the past 17 centuries. From practical to fanciful and mass-produced to bespoke, the myriad of shapes, styles, materials and sizes highlight that there is a hat for every occasion.
While hats have been worn for centuries, millinery is comparatively recent – becoming established over the past 300 years – and concentrates on the more decorative and fashionable side of hat-wearing. Not simply an accessory, hats have the power to impart a message of authority, affiliation, individuality, propriety, rebellion and style.
Balenciaga's hats
Cristóbal Balenciaga's couture hats were some of the most elaborate in Paris, playing with scale, shape and unusual materials
Stephen Jones and Dior
Milliner, Stephen Jones, discusses working alongside Dior to create exquisite hats and headpieces to complement their designs
The Pussyhat
Find out how a knitted pink hat became a global symbol of female solidarity
Revealing hidden structures through x-rays
Discover the internal structures of a hat, stays, and a hood - three historic objects from the exhibition, Fashioned from Nature
Millinery in Motion: Stephen Jones
Millinery in Motion presented the work of five of London's most exciting new milliners alongside world-famous hat designer Stephen Jones
McQueen's collaborators: Philip Treacy
Explore the creative collaboration between fashion designer Alexander McQueen and milliner Philip Treacy
'Heads and Tales' by Aage Thaarup
The celebrated Danish milliner describes his first royal commission in this extract from his autobiography
L-R: Pink velvet cap, designed by Aage Thaarup, 1950-59, England. Museum no. T.255-1985. Ivy leaf hat, designed by Aage Thaarup, 1950-59, England. Museum no. T.254-1985. Hydrangea flower hat; designed by Paulette, about 1955, France. Museum no. T.247-1984. © Victoria and Albert Museum, London