Rendez-vous Villa Gori, fashion plate
Paper size
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Small
24 x 30 cm
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Medium
32 x 40 cm
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Large
48 x 60 cm
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Extra-Large
64 x 80 cm
Frame type
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Black
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Unframed
- 1.5 cm black stained ash box frame - stained and waxed
- 300gsm textured fine art paper
- cm white mount - acid free, extra thick smooth white mount board with a white core
- Printed image size:
- Total framed size:
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- Details
- Delivery & Returns
- About custom prints
Rendez-vous Villa Gori, Robe et manteau de Worth
Print by Georges Barbier (1882-1932)
Paris, France, 1924-1925
From Gazette du Bon Ton Issue 9, published by Librairie Centrale Des Beaux-arts.
Custom printed on 300gsm textured fine art paper.
Delivery
Our standard delivery charges and estimated timescales are as follows. Selected product exceptions apply; see product details. International deliveries may also be subject to customs fees or taxes upon arrival, which are your responsibility.
Custom prints
Each print is made to order and dispatched separately to other V&A Shop products, for UK delivery only. The charges and estimated timescales below are in addition to our standard delivery charge when bought together with a V&A Shop product. However, delivery is free for all orders over £60.
Returns
We hope you are happy with your V&A Shop purchase. However, if you are not, most items are eligible for a full refund if returned within 28 days of receipt.
Refunds are offered for items in an unused, unopened condition, and with original packaging – with exceptions as below. This does not affect your statutory rights.
The following items are excluded from our returns policy and cannot be refunded unless faulty, damaged, or not as described:
- Custom prints and other items made to your specification or personalised;
- Items that have been sealed for hygiene reasons, where the seal has been broken, such as beauty products, soap, pierced earrings, hosiery, socks, sunglasses and face coverings;
- Perishable or edible items such as flowers or food;
- Memberships, tickets for exhibitions, bookings for events and courses.
For full details, visit our Delivery & Returns page.
From our gallery walls to yours
High quality art prints of images from across the V&A collections. Spanning Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A.
Made in England on the Sussex coast by leading print producers King & McGaw, our prints are hand finished and framed by skilled craftsmen using responsibly sourced materials, carefully packaged and delivered directly to your door.
The process is simple:
1. Select an image
2. Choose your preferred size and frame
3. Place your order!
Additional details
PAPER:
We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.
INKS:
Each artwork is giclée printed using archival quality inks.
MOUNT:
Acid free, extra thick smooth white mount board with a white core.
GLAZING:
We use clear acrylic glazing for safety and longevity.
FRAMING:
Framed by hand in Sussex by skilled craftsmen using responsibly sourced materials, the finished product has a taped back and is supplied ready to hang.
PACKAGING:
Each print is carefully packaged to ensure safe transportation, using 100% recyclable materials.
COPYRIGHT:
Please note that a copyright line is included under the image.
Georges Barbier
Georges Barbier was one of the great French illustrators of the early 20th century. He was born in Nantes, France in 1882. He studied at the Ecole des Beaux Arts in Paris from 1908 to 1910. His companions included his cousin Pierre Brissaud, Bernard Boutet de Monvel, Jean Besnard, Paul Iribe, Georges Lepape and Charles Martin, all of whom were to become world renowned fashion illustrators. In that year several important new Paris fashion magazines began to be published, Gazette du Bon Ton, Le Journal des Dames et des Modes, Feuillets d'Art, Femina and Vogue. He became the chief illustrator for many of these magazines. The fashion plates Barbier drew for Bon Ton were almost exclusively for the house of Worth. They were prepared 6 to 12 months ahead of the collections and make one of the most complete couture series of the period.