Pattern Paper No. 22
Paper size
Please select-
Small
30 x 30 cm
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Medium
40 x 40 cm
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Large
60 x 60 cm
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Extra-Large
80 x 80 cm
Frame type
Please select-
Black
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White
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Natural
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Unframed
- 1.5 cm black stained ash box frame - stained and waxed
- 280gsm smooth matte fine art paper
- cm white mount - acid free, extra thick smooth white mount board with a white core
- Printed image size:
- Total framed size:
- Total size:
- Details
- Delivery & Returns
- About custom prints
Pattern Paper No 22
Wood engraving by Paul Nash (1889-1946)
UK, 1985
From A Portfolio of Twenty-four Wood-Engravings by Paul Nash, published by Garton and Cooke in 1985. The wood blocks used to create these pages in the 1985 publication are in th V&A's collection. Pattern Paper No 22 is a pattern that is used to cover hand-made boxes. The original print is from 1927.
Custom printed on 280gsm smooth matte fine art paper.
Delivery
Our standard delivery charges and estimated timescales are as follows. Selected product exceptions apply; see product details. International deliveries may also be subject to customs fees or taxes upon arrival, which are your responsibility.
Please note: New orders are now likely to arrive after Christmas. For last minute gifts, visit our museum shops until 23 Dec, or explore our digital options such as V&A Membership.
Custom prints
Each print is made to order and dispatched separately to other V&A Shop products, for UK delivery only. The charges and estimated timescales below are in addition to our standard delivery charge when bought together with a V&A Shop product. However, delivery is free for all orders over £60.
Returns
An extended returns window is granted over the Christmas period. Orders placed from Friday 1 November 2024 can be returned until Monday 20 January 2025.
We hope you are happy with your V&A Shop purchase. However, if you are not, most items are eligible for a full refund, subject to the criteria below. Refunds are offered for items in an unused, unopened condition, and with original packaging – with the following exceptions. This does not affect your statutory rights.
The following items are excluded from our returns policy and cannot be refunded unless faulty, damaged, or not as described:
- Custom prints and other items made to your specification or personalised;
- Items that have been sealed for hygiene reasons, where the seal has been broken, such as beauty products, soap, pierced earrings, hosiery, socks, sunglasses and face coverings;
- Perishable or edible items such as flowers or food;
- Memberships, tickets for exhibitions, bookings for events and courses.
For full details, visit our Delivery & Returns page.
From our gallery walls to yours
High quality art prints of images from across the V&A collections. Spanning Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A.
Made in England on the Sussex coast by leading print producers King & McGaw, our prints are hand finished and framed by skilled craftsmen using responsibly sourced materials, carefully packaged and delivered directly to your door.
The process is simple:
1. Select an image
2. Choose your preferred size and frame
3. Place your order!
Additional details
PAPER:
We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.
INKS:
Each artwork is giclée printed using archival quality inks.
MOUNT:
Acid free, extra thick smooth white mount board with a white core.
GLAZING:
We use clear acrylic glazing for safety and longevity.
FRAMING:
Framed by hand in Sussex by skilled craftsmen using responsibly sourced materials, the finished product has a taped back and is supplied ready to hang.
PACKAGING:
Each print is carefully packaged to ensure safe transportation, using 100% recyclable materials.
COPYRIGHT:
Please note that a copyright line is included under the image.
Paul Nash
Paul Nash (1889-1946) was born in London to a successful barrister and his wife. In 1910, Nash entered the Slade School of Art where he concentrated on landscape painting. He was inspired by a combination of landscapes, history, magic and form. Locations such as Ypres, Dymchurch, the Romney Marshes, Avebury and Swanage featured in his works. Nash was an official war artist in both World Wars. His powerful and stark war paintings made him arguably the greatest war artist Britain has produced. Both Nash and his younger brother John had seen active service in the war. Nash was also a photographer, writer and designer of applied art.