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Highlights Tour
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Tour: Highlights Tour Room 64: Renaissance Art and Ideas 1400-1550
Adoration of the Magi
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MALE NARRATOR:
This piece, Puer natus in Bethleem, or A Boy is Born in Bethlehem, was one of the traditional Christmas songs popular in Northern Europe around 1500. These songs were well known and sung in much the same way as today’s Christmas carols. The lyrics tell of the joyful birth of Christ, with everyone from angels to shepherds rejoicing. Three kings arrive, with their gifts of gold, incense and myrrh — gifts symbolising Christ’s kingship, divinity, and humanity.This version of the song is sung in Latin, the language of the Catholic Church across Europe at the time. But song’s like this one were also performed in local languages and included in songbooks people could use at home. The text, in English, is on the screen of this audio point.
MUSIC BEGINS.Translation
A boy is born in Bethlehem,
for this all Jerusalem rejoices.
Love, love, love,
how sweet is love!
Like a bridegroom from the bridal chamber
he proceeded from his mother’s womb.
The ox and the ass knew
that this child was the Lord.
The angel choir rejoices,
the shepards too are joyful.
The kings come from Sheba,
they offer gold, incense and myrrh.
Let us bless the Lord,
the one, the three-fold, the eternal.
Let us then with the angels
forever give thanks to God.
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Tour: Highlights Tour Room 64: Renaissance Art and Ideas 1400-1550
The War of Troy Tapestry
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FEMALE NARRATOR:
The tapestry on the wall in front of this audio point is the ninth in a series of eleven. Woven in the Netherlands between 1475 and 1490, they portray the fall of the ancient city of Troy. This tapestry is over 4 metres, or 13 feet, high and 7 metres, or 23 feet, long. It’s an incredibly detailed work, crammed with figures wearing richly decorated robes and armour.At the base, a Latin script explains the scenes. The story is read from left to right. Although the tapestry is no longer complete, the portion displayed here shows three separate events that took place after the death of the great warrior Achilles.
On the left, the Amazon warrior queen Penthesilea kneels before King Priam of Troy to promise her aid in repelling the Greek army that is besieging the city. Penthesilea wears armour over a scarlet and gold robe ornamented with stylised flowers. On her head is a tall, cone-shaped hat of gold encrusted with precious stones. King Priam of Troy is portrayed as an elderly bearded man, in the manner of an eastern potentate. He’s dressed in a sumptuous robe of deep blue and gold, worn with an ermine cape. Priam touches Penthesilea’s shoulder with his right hand. Behind them Amazon soldiers and Trojan noblemen confer. The backdrop to this scene are the walls of Troy, depicted as a great fortified city.
In the central scene, battle is underway. The grim-faced women of the Amazon army pour out from the gate of Troy on the left, on foot and on horseback. They join the Trojan army to push back the attacking Greeks. The soldiers of the Greek army press in from the right and the scene is a tangled mêlée of men and women brandishing swords and thrusting with pikes. Blood streams from wounded bodies. In the centre, Penthesilea herself is astride a horse. She has her sword upraised to smite the Greek hero Ajax, who raises his sword in response.
The third section of the tapestry portrays Achilles’ young son, Pyrrhus, receiving his dead father’s armour. He stands at the entrance to a blue pavilion, with Ajax on his left and King Agamemnon, leader of the besieging Greek forces, on his right. Pyrrhus is a beardless youth with jaw-length brown hair. His eyes are fixed on his father’s winged golden helmet. Ajax, in a red and gold brocade robe, buckles Pyrrhus’s belt for him while a servant bends to attach a spur to the young man’s heel. King Agamemnon’s tunic is made of chainmail and decorated with a lion’s head. Both Agamemnon and Pyrrhus clutch the same tall staff with a long blue banner wound around it.
From original drawings, we know there is a further scene, now missing from this tapestry, showing Pyrrhus going into battle against the Amazons. The final fall of Troy was depicted in the eleventh tapestry in the series.